In reference to Donald Trump’s blatant threat that he will, if capable ([[which is unlikely->https://www.reddit.com/r/Fauxmoi/comments/1neg8de/trumps_face_appeared_noticeably_drooped_on_one/]]), seek an illegal third term (See: [[The 22nd Amendment to the Constitution of the United States of America->https://churchofrot.neocities.org/references/The%20Constitution%20of%20the%20United%20States%20of%20America.pdf]]), “Trump told NBC News that "there are methods" that would allow him to serve a third term in office” [ed: there are no such methods.]
[[Source->https://www.npr.org/2025/03/30/g-s1-57231/trump-third-term]]
> [[Return->I. On the Engineered Decline of Revolutionary Messianic Figures]]Stokely Carmichael's (Kwame Ture) 1972 Lecture at Howard University On Capitalism vs Socialism
[note]
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> [[Return->I. On the Engineered Decline of Revolutionary Messianic Figures]][[Frenzy-Flaming Tower->https://eldenring.wiki.fextralife.com/Frenzy-Flaming+Tower]]
> [[Return->I. On the Engineered Decline of Revolutionary Messianic Figures]]George Orwell, “1984” (1949)
> [[Return->I. On the Engineered Decline of Revolutionary Messianic Figures]]
> {back link}Miyamoto, “The Legend of Zelda” Franchise (1986 - Present)
> [[Return->I. On the Engineered Decline of Revolutionary Messianic Figures]][[Huey Newton->https://en.wikipedia.org/wiki/Huey_P._Newton]]; African-American Revolutionary and co-founder of the [[Black Panther Party->https://web.stanford.edu/~ccarson/articles/am_left.htm]].
> [[Return->I. On the Engineered Decline of Revolutionary Messianic Figures]]Miyazaki & GRRM, “Elden Ring” (2022)
> [[Return->I. On the Engineered Decline of Revolutionary Messianic Figures]]> [[Return->I. On the Engineered Decline of Revolutionary Messianic Figures]]Miquella, also known as “Miquella, the Kind,” “Miquella of the Haligtree”, among other aliases and possibly alternate identities (iykyk) is a pseudo-Messianic figure in the universe of Miyazaki’s Elden Ring. During a pivotal point in the narrative, (but already well before the player arrives on the scene) and at the height of his powers, Miquella goes missing. Foul play is expected.
In the same way, in 196x, at the height of his influence as founder of the Black Panther Self-Defense Party (and certainly, adding to his notereity), Huey Newton was arrested after a traffic stop turned into a shoot-out, leading to the death of one of the officers. This lead to national and international outrage, the Panthers organizing protests and the slogan of, "Free Huey", could be found ringing as far afield as Maoist China and Palestine. His arrest was seen at the time as a zeitgeist moment for the African-American public, and there was growing fear that, were Huey to be released, he would free the modern Black from the chains of American tyranny and lead the Revolution that would ultimately result in the Socialist reimagining of our Union. Of course, this did not happen. Huey, upon release, resumed his duties with the Black Panthers, but did not lead the pseudo-Messianic revolution the people expected. During his time in prison, targeted federal operations (COINTEL PRO) lead to severe in-fighting between Black Panthers, and the death of many of its leaders. When he was released in 1970, times were different. He did not take up the banner of Messiah. A relevant quote from former Black Panther Hugh Pearson can be found below. I believe it explains the Spirit of the time better than I can as an external, non-contemporaneous Observer:
<blockquote>
<em>
"Yeah they freed Huey. Then Huey came out and they wanted Huey to free them and I keep trying to tell the people, I say people, that's the true power of the people, you freed me, you freed Huey, now why don't you all go ahead and free yourself? But see, they can't do that can they? They can't do that cause the people always have to create what they call a leader and a leader is everything that the people want to be but the leader is everything that the people can never be so then when the leader fails, he's gonna fail, he's just flesh and blood, he's gonna fail, when the leader fails then the whole construction of the concept of leadership fails and then it just becomes a matter of contempt. And that's when they assassinate you and then put your image on a postage stamp so they can keep lickin' you in the grave." [[source->https://churchofrot.neocities.org/references/Huey%20Newton%20Trial%20in%20Oakland%20(29%20images)%20%C2%B7%20Roz%20Payne%20Sixties%20Archive.pdf]]
</em>
</blockquote>
Miquella was the creator of the Haligtree; a Great Tree (think less Yggdrassil, and more the Two Trees of Valinor (Tolkien, “Lord of the Rings”)) that was hoped to bring new life to a world whose original Great Tree, the Great Erd Tree, is actively deteriorating, a husk of its former self. Some of his most fervent followers were the so-called Albinaurics (see footnote [[5]]).
> [[Return->I. On the Engineered Decline of Revolutionary Messianic Figures]]In reference to [[The Battle of Aeonia->https://eldenring.fandom.com/wiki/Battle_of_Aeonia]].
> [[Return->I. On the Engineered Decline of Revolutionary Messianic Figures]]The common cultural perception of Malcolm X as the "violent" Civil Rights leader and Martin Luther King Jr. as the "peaceful" one is a myth that has been perpetuated for far too long. This oversimplified narrative is something many Americans [[were taught during their school years->https://www.thecrimson.com/article/1992/11/18/teaching-malcolm-x-pbfbor-most-students/#:~:text=King%20quickly%20realized%20that%20the,view%2Dpoint%20of%20that%20organization]], and it has been reinforced even in Black communities through targeted educational goals in this way. In reality, the views of both leaders existed on a spectrum. While Malcolm X did advocate for the right of Black people to use violence in self-defense against racial aggression from White people, he did not call for an immediate violent revolution or vigilante justice. In fact, he praised the Nation of Islam for its avoidance of violent crime (at least to the best of his knowledge). Most of his rhetoric emphasized that the restraint shown by Black people in America, despite the violence and oppression they faced, is the only reason there hasn’t been more violence. In other words, Malcolm X's perspective on violence was more prophetic than prescriptive. Don’t take my word for it; let him speak for himself: [[here->https://drive.google.com/file/d/1GqfmGy0eQ_FTUhyfFzS35kN1Fn-kw0RD/view?usp=sharing]].
> [[Return->I. On the Engineered Decline of Revolutionary Messianic Figures]]Kim Jung Il, son of the founder of North Korea and father to our current “Great Leader”, Kim Jung Un, was a noted cinephile (who apparently had a [[devoted staff just to translate foreign films for him->https://www.piie.com/blogs/north-korea-witness-transformation/summer-reading-abductions-i-paul-fischers-kim-jong-il#:~:text=Film%20itself%20provides%20an%20example,of%20his%20films%20were%20shot.]]
and once
[[kidnapped prominent South Korean film power couple Shin Sang-ok and Choi Eun-hee->https://en.wikipedia.org/wiki/Abduction_of_Shin_Sang-ok_and_Choi_Eun-hee]]
for the purpose of improving the quality of the South Korean Propaganda machine. Before this kidnapping, though, he wrote a book on Cinema. Come to your own conclusions: <em>[[read it here->https://churchofrot.neocities.org/references/On%20the%20Art%20of%20the%20Cinema%20-%20Kim%20Jong%20Il.pdf]].</em>
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<b>Apocrypha</b>
[continue]
> [[I. On the Engineered Decline of Revolutionary Messianic Figures]]
> [[II. After Alma Engebretson's, "Those were the days!" (2025)]]
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<b>Book of Gospels</b>
[continue]
> [[I. D Wakes from their Slumber]]
> [[II. D Recollects on Theil Before the Accident]]
> [[III. Queen Lot]]
> [[IV. Gospel]]
> [[Table of Contents]]
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<b>Book of Scenes</b>
[continue]
> [[I. 3 Scenes from a Film]]
> [[II. 6 Studies of Taylor Schultz's "Creation" (2025)]]
> [[Table of Contents]][align center]
<b>3 Scenes from a Film</b>
[continue]
> [[I. Letter to a Lonely Wandering Meteor]]
> [[II. "Farewell, Sandusky"]]
> [[III. "Sword in the Stone"]]
> [[Book of Scenes]]
> [[Table of Contents]]I. Deterritorialization
Spent the night conversing with serpents
Sun of the morning coping,
They’re “Warring in Heaven”
“Thou look’st from thy dominion like
the God of this new World,”
A chip uncurled, “and eat it”
I speak, its ashes in my mouth,(Literal as well as metaphorical allusion, I be smoking spliffs, I’m that nigga - D. [6:53pm - 9.24.25)
I hate it - Invest in payments (partial stocks, etc)
Split the rest - leather chests
and cigarettes - silly girl
your cock will shrivel yet [1] I spit like Lil’ West - Best,
ichiban - No Kirin, I sip the finest Hamms
Split the atom in the frying pan,
no shielding - fielding two hoes
like Musashi - dual wielding
A Pool Without Water, no new feelings
Sucked sloppy til new seed Grew wings, perched on your shoulder
Like Lucy (img angel n devil on ya shoulder) - Locked it behind you
and cut new keys (“D Duels Fate, and…”)
Slew two Dreams. (Girls Rituals, “Short text on the revelations of divine love”)I. [[Haywood Burns->https://en.wikipedia.org/wiki/W._Haywood_Burns]] and [[Angela Davis->https://en.wikipedia.org/wiki/Angela_Davis]] on Black Futures
[[Source->https://youtu.be/MojDoeloUTc?si=DIY9mK80Nh6hmeCs&t=416]] [6:56 - 8:32]sound.ambient.aletter.url: 'https://churchofrot.neocities.org/references/mp3s/I.%20Letter%20Informing%20a%20Lonely%20Wandering%20Meteor%20of%20the%20Imminent%20Demise%20of%20the%20Prophet%20Altfather.mp3'
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# I. Letter to A Lonely Wandering Meteor
### Scene: (Wong Kar-Wai, “As Tears Go By”)</b>
##### <em>A letter from Saint Deor to A Lonely Wandering Meteor recounting a recent vision of the Prophet [[Altfather->https://youtu.be/XlUCF2gav0k?si=lvvlEFY8R9Hf5zMz]], in which their body is found splattered in the street...</em>
Spit on him! \
Told the nigga that I’ve been awful.\
“Twin, I’ve been known,\
you’ve been off though,\
like you ain’t a grown man\
[[sauntering alone in the streets,->https://youtu.be/LPmzRa-sXQs?si=uGKQDK-vrwYhD4sB]]\
like you’ve seen what’s going on\
underneath,<sup>[[i->Scenes I:I:i]]</sup>\
[I’ve] seen the God in your feet\
But you look awful.”\
“Ugh,” I said, “I can’t talk with you,”\
Spliff gone rouge with the whip,\
Next time I caught a whiff of him…\
[[splattered in the street with the chalk!->https://youtu.be/RXQi6XDScOg?si=vGOkXvtUQpJR5fqr]]\
Should’ve talked more…\
Put that thought in a tall drawer\
[[until they reinvent Star Wars.->https://churchofrot.neocities.org/references/Fire%20Punch%20ch%2039.pdf]] <sup>[[ii->Scenes I:I:ii]]</sup>\
Sheets leaking,\
Whole World Line ended in the pan!\
Fry em up quick where they land,\
Shrimp sizzles on command.\
SCHLICK!\
[[SPLAT!->https://churchofrot.neocities.org/references/images/splat%20-%20junji%20ito%20smashed.jpg]]\
Hit 'em and ran,\
Shameful!\
Let out a liter of bile,\
Makima<sup>[[iii->Scenes I:I:iii]]</sup> speaks to the child,\
“You couldn’t walk a mile\
in these shoes…\
[[‘Round these parts…”->https://www.youtube.com/watch?v=YMRsBB6nnqQ&list=RDYMRsBB6nnqQ&start_radio=1]]<sup>[[iv->Scenes I:I:iv]]</sup>
> [[I. 3 Scenes from a Film]]
> [[Table of Contents]]
> [[Download Audio->https://churchofrot.neocities.org/references/mp3s/I.%20Letter%20Informing%20a%20Lonely%20Wandering%20Meteor%20of%20the%20Imminent%20Demise%20of%20the%20Prophet%20Altfather.mp3]]sound.ambient.apocrypha_one.url: 'https://churchofrot.neocities.org/references/I.%20On%20the%20Engineered%20Decline%20of%20Revolutionary%20Messianic%20Figures.mp3'
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I. On the Engineered Decline of Revolutionary Messianic Figures
[[AH->https://youtu.be/97zI3gXPh8Y?si=UIxIFhkpJ05Kj47i&t=71]]\
Spit tested positive for viral infection \
Might as well run for re-election <sup>[[1->1]]</sup> \
Fun, yet vexing - Why rule? \
Pick up four hoes, rent a section \
Fool couldn’t fuck up one Hyrule <sup>[[2->2]]</sup>. \
Locked up Hue<sup>[[3->3]]</sup> like Miquella the Kind<sup>[[4->4]]</sup>. \
Albinaurics<sup>[[5]]</sup> trying to find him<sup>[[6]]</sup>. \
UH \
Scarlet bloom, bye-bye Rivals<sup>[[7->7]]</sup> \
The Death of Revolution came in cycles \
Sever the head, and teach em who was right \
Like Malcolm X, "Why so violent?"<sup>[[8]]</sup> \
"On the Art of [the] Cinema"<sup>[[9]]</sup> \
Spin the narrative 'til it’s White \
I mean, spin it until it’s right, \
I mean, tell it how you will. Bills rule<sup>[[10->10]]</sup> \
Pills, fools; Tower on a hill,<sup>[[11->11]]</sup> \
Drivel spills through it. \
Doublespeak 'til they sink,<sup>[[12->12]]</sup> \
Gotta build through it. \
Ain’t no “real” music.
> [[Table of Contents]]
> [[Download Audio->https://churchofrot.neocities.org/references/I.%20On%20the%20Engineered%20Decline%20of%20Revolutionary%20Messianic%20Figures.mp3]]II. "Farewell, Sandusky"
(Scene: Stephens, "Gypsy 83")
After Ottessa Moshfegh's "My Year of Rest and Relaxation"
“I’m sorry to hear that, but I’m not \
surprised.”<sup>[[i->Scenes I:II:i]]</sup> \
Had to fake the tears to dry her eyes. \
Doc<sup>[[ii->Scenes I:II:ii]]</sup> forgot her mother died, again. \
Kowtowed in mind of the reminder \
Reva<sup>[[iii->Scenes I:II:iii]]</sup> hit the gin, \
every sip a sin, \
every Diet Coke a Signifier. \
Way to rub it in and reminder her. \
Set the timer for 15, \
beat until I bleed \
and seek Higher. \
I got tired. \
Gave in to the Rot \
like the Piggy giving in to the Grinder: \
there ain’t no fighting you. \
<br>
Fate perched on the cross like Chainsaw \
Man<sup>[[iv->Scenes I:II:iv]]</sup> \
I put the spliffy out and faced her. \
Every face she ever bore for me \
flashed across her face. \
I lost pace with her, \
lost face with her, \
last place— \
No place with her, \
no placating the Lake.<sup>[[v->Scenes I:II:v]]</sup> \
Oogway<sup>[[vi->Scenes I:II:vi]]</sup> \
stilling the wave, \
it's that simple. \
Don’t run to your grave, \
you’re not simple. \
You’re running away to Hope’s temple \
Like after all this time, \
it ain’t still you.<sup>[[vii->Scenes I:II:vii]]</sup> \
<br>
Understanding Kant \
is analogous to understanding \
classical Christian morality. \
Freedom and Rationality \
are always bound up together. \
Always capitalize German \
philosophical terms<sup>[[viii->Scenes I:II:viii]]</sup> \
Always seal the urn. \
Three heads squabble<sup>[[ix->Scenes I:II:ix]]</sup>, mumble rap \
I got time for it, speak soft so \
the Nun don’t rap you, \
pull your garments after you \
and awaken me. \
Every bow left in spite of pubic hairs \
in the shape of me,<sup>[[x->Scenes I:II:x]]</sup> \
I’m pounding the pussy like the bakery, \
out and these pussy niggas shaking, \
we’re vagrants! \
Latent racists quibble behind screens \
like the hammer ain’t go’ ring me too. \
I got needs, we do. \
“Don’t believe in me, \
believe in the me who believes in \
you.”<sup>[[xi->Scenes I:II:xi]]</sup> \
<br>
Scary bitch niggas…
> [[I. 3 Scenes from a Film]]
> [[Table of Contents]]
> [[Download Audio->{no ambient sound} <!-- stops any sound coming from other passages -->
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<b>6 Studies of Taylor Schultz's "Creation" (2025)</b>
[continue]
> [[I. Haywood Burns and Angela Davis on Black Futures]]
> [[II. A Commentary]]
> [[III. JUBILEE]]
> [[IV. Dr. Zadie Smith on the Artist/Audience Relationship]]
> [[V. "D Duels Fate, and..."]]
> [[VI. Smith, Adi; "A Crucial Light"]]
> [[Book of Scenes]]
> [[Table of Contents]]II. A Commentary
After Taylor Schultz's "Creation" (2025)
Finger caressed his “crushed flower of
flesh,”xxviii
A prayer. Blessed me;
Impressions left against the sheets,
they flutter, peak.
The Mother’s beak.
Laying beneath the sheets,
multicolored covers,
the painting, he praised it!
“My pain is a spark that could
set the whole world ablaze,
but for now, I’ll contain it.”xxix
Spent the whole evening
eating pavement.
Four Heathens singing
“Singing in the rain,”xxx
Eight shots again; I heard em
ringing.xxxi
Nagai in the sky, the Angels
blinging.xxxii
Gucci slips clatter in the ring, and
D rejects your
“Antipathy to Homogenization!”
xxxiii
Fuck a milli,
your neighbors are starving.xxxiv
“Later, Martin!”xxxv
Ring a ring of roses, I suppose it’s
hard to say with any certainty.xxxvi
Ketchup spurting,
I’m certain he’s faking.xxxvii
“Counting or not counting
gang violence,”
you can’t script it, earnest!xxxviii
On God, I’m nervous,
they’re purging the vagrants!xxxix
What happened to Black Power,
can Consciousness save us?
Or will Capitalists give us
a simulacrum of Sky?xl[align center]
After Alma Engebretson's, "Those were the days!"
[continue]
> [[I. Deterritorialization]]
> [[II. Reterritorialization]]
> [[Apocrypha]]
> [[Table of Contents]]II. Reterritorialization
The schizophrenia of my Reality is my Reality
Spitting like Boo, I run into the Dark
Recovered from the mark like Cain
Recovered Marx from the rubble and barked
at the bitches who stumbled over him
Broke my heart just to show them
Punched a knot in my stomach, it’s ropes and
I took a shovel to the dirt and kept going
I took a light to the dark and kept hoping (Adi Smith, “A Crucial Light”)
Fed my Ghost like the shell won’t crack
Kept the Angel’s Egg close, no cap
I spent months on the coast ghosting
Broke light when the monks closed in
Broke down when the guns blowing
Why ain’t Rome and Greece become the Capitalists?
I snapped my leg and broke my wrists,
Dangling—III. "Sword in the Stone"
(Scene: Unknown)
A scene four reflections deep; so deep, in fact, that I've forgotten the original source material. Oops -D. [4:26pm, 9.27.25]
I could show you its name,
but you couldn’t use it.xvi
The sword in the stonexvii, to you,
is useless.
Drink until the stomach’s
the bottle and reverse roles.
Spilt my guts stumbling,
rummaged the hearse,
coddled her, Satan cobbled her;
broke her down to the atomic factsxviii
.
Let the fiends fix her!
Never chase your dreams by elixir.
Spent seven years in Calypso,xix
mighty brigadier in the cot,
Lancelot, he oughta stick you!
Treat you right!xx
[The] Holy Grail’s a veil of victims!
Pull it back—
Melina will kill you if you take a
taste.xxi
Ashes on the tonguexxii, lain to waste.
Seek hole!xxiii
Miyamoto’s Voidxxiv, release hold!
Peered through the sinkhole
to see a million peepers standing by.xxv
Leap for the sky, Ready to Die.xxvi
Foot stuck in the foothold you placed.
Whole life told, laid to waste.
O Rot!xxvii
> [[I. 3 Scenes from a Film]]
> [[Table of Contents]]
> [[Download Audio->IV. Dr. Zadie Smith on the Artist/Audience Relationship
[[Source->https://youtu.be/fhgKCsGW_1k?si=pjRg1ihpGhUB9JXa&t=2224]] [~37:05 - 42:40]Style Guide
Citation System
Book Chapter:citation number
ex.) For footnote number "5" in "Farewell, Sandusky!", the citation would be the following: [Scenes 1:5)
<b>Entry system</b>
# Title: 1\#
### Subtitle: 3\#
##### Description/subtext: 5\#See Baudrillard, “The Perfect Crime”Fujimoto, “Fire Punch”In reference to Makima and Nayuta, characters in parts one and two, respectively, of Tatsuki Fujimoto’s “Chainsaw Man”.See Black Flag, “Armageddon Man” from “Family Man” (1984)Moshfegh, “My Year of Rest and Relaxation,” page 92
<blockquote>
<em>
“My parents are dead.” <br>
“I’m sorry to hear that, but I’m not surprised,” Dr. Tuttle said, writing in her file. “Orphans usually suffer from low immunity, psychiatrically speaking. You may consider getting a pet to build up your relational skills. Parrots, I hear, are nonjudgemental."
</em>
</blockquote>Dr. Tuttle from Ottessa Moshfegh's, "My Year of Rest and Relaxation". See [[Scenes I:II:i]]
<em>"A canonized Saint of the Church of Rot, true Disciple of Decay. To be Emulated and Admired. - D. [3pm, 9.21.25]</em>Reva, the faithful friend of the nameless Protagonist of Ottessa Moshfegh’s, “My Year of Rest and Relaxation”.Fujimoto, “Chainsaw Man”, chapter 93 “You & Crappy Movies”
Source
[note]
attach source later!Beckett, “Play” (1963)The “Lake of Rot”. See Miyazaki & GRRM, “Elden Ring”
<blockquote>
<em>
“A great lake of standing water
downstream of the Ainsel River. It is
said that the divine essence of an
Outer God is sealed away in this
land."
</em>
</blockquote>See Pixar, "Kung Fu Panda"
[note]
insert image of oogway from Kung Fu PandaSee Fox, “Undertale”
<blockquote>
<em>
“Despite everything, it’s still you.”
</em>
</blockquote>In German, all nouns are capitalized by default [source] (the way we capitalize proper nouns like names in English). Additionally, in the German Continental philosophy tradition, it is common for a philosopher to define specialized terminology to explain their position. As a result, German philosophy in translation often has a lot of terminology that retains its capitalization to distinguish these specialized terms (which often take the form of normal, everyday concepts like “Reason” or “Spirit” (I’m looking at you, Hegel)) from similar words meant in their non-specialized use case. This is not a German example, but see the Deleuze "Dictionary" for an example of how out of hand these kinds of "definitions in translation" can become (though in this case, from French to English).
[note]
add sources where marked aboveSee Moshfegh, “My Year of Rest and Relaxation”, page 62:
<blockquote>
<em>
“…I dreamt that I lathered up my mother’s pubic hair with a bar of Ivory soap in the shower, then pulled a tangle of hair out of her vagina. It was like the kind of fur ball a cat coughs up, or a clog in a bathtub drain. In the dream, I understood that the tangle of hair was my father’s cancer.”
</em>
</blockquote>Signature catchphrase of Kamina from Studio Trigger’s “Gurren Lagann”
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<b>Table of Contents</b>
[continue]
> [[Book of Gospels]]
<!-- > [[Book of Scenes]]
> [[Book of Gospels]]
> [[Apocrypha]] -->V. "D Duels Fate, and..."
After John Milton's "Paradise Lost"
Been “warring in Heaven
against Heaven’s matchless King.”
Put yourself in the place of me.
Why stand against empathy?
I spit on your sympathies, nigga,
I spit on them!
“A fine work requires a mind
sensitive to its beauty,”
I spent half a stack on the booty
hoping to hit.
Foolish!
No carrot, no stick.
She’s bouncing like Noah in the Arc.
Never break bread with a Shark.
“Keep sucking,” she barked
and I yielded.
I brandished the blade,
she concealed it.
Left it sharp
as the Sword of Evil’s Bane.
She marked me like Cain
and I peeled with it!
Velvet bra on the banister, teetering,
Love is on E and I’m petering,
No one is nothing, my Reader, then
the Man in the Tower is You!
Abandon the Fountain of Youth!
Stand on the Mountain!
Spit like I’m routing a tooth,
Fate is my Bitch, Imma mount her.
Left her keys on the counter,
I’ll let myself in…VI. A Crucial Light
By Adi Smith
Light is crucial in an empty house, so i will bring it with
me; into the dark, into the dusty corners, into the garden
at night to find some unexpected creature with a tall jaw
that looks at me like I am it. I could chatter my teeth
through life, easily wriggle from the boat in shallow
water; but tom ove my will around the eart hand have
the rubble to show for it? That is what I need. That is
what I could place at your feet one day. That is what I
could lay at the mouth of the final gate, say, <em>into the
dark I brought a light. Into the dirt, I brought a shovel.</em>sound.ambient.gospelone.url: "https://churchofrot.neocities.org/references/mp3s/Book%20of%20Gospels/Oto-san!.mp3"
sound.ambient.gospelone.description: "Book of Gospels, Entry II, Oto-San!"
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***I. D Wakes from their Slumber***
[continue]
Misspoke and he woke with a welt.</br>
Holding the belt, I smote every Heathen there. </br>
Broke into the even air. </br>
Creeping through the seams </br>
and short-circuited his nervous</br>
system for the brief reprieve. </br>
Fleeting dreams, slurping up</br>
the leanest greens.</br>
Sleep it off. Needful things. </br>
Electric sheep dream of [[desiring machines]]. </br>
Blanketed in bias, I went</br>
into that good night until the Cold caught me.</br>
Death? I knocked him out, dragged him off,</br>
stole the shoes from off his feet. </br>
Because when you cross Big D </br>
know you're sleeping with the sheep.</br>
Covered my eyes, cuz blind eyes blaze gay, </br>
[[because I don't wanna see anything anymore->https://churchofrot.neocities.org/references/images/csm%2070.pdf]].</br>
Control Devil, silicon wedding rings </br>
knocking at your door. </br>
Whore thought she had infinite strikes,</br>
them flames gon' surprise her.</br>
Spark it in hand, scattering sands, </br>
Time's skipping like the vinyl, canned. </br>
Panned your homies like, "This sounds unplanned."</br>
[[Scanned your retina and sent you off->ICE face scans]] </br>
until they spot you again. </br>
Dissent is a scam, </br>
[[end up in the can with assault of an officer->https://churchofrot.neocities.org/references/articles/Leader%20of%20Antifa%20Cell%20Members%20in%20North%20Texas%20Sentenced%20to%20100%20Years.pdf]]. </br>
Feds made to fleece, made to police you. </br>
Surveillance state is a prison with a leash, yeah. </br>
[[Police will watch you when you're asleep,->https://churchofrot.neocities.org/references/articles/Police%20Have%20Reportedly%20Used%20License%20Plate%20Readers%20to%20Stalk%20Romantic%20Interests%20at%20Least%2024%20Times%20in%20Recent%20Years.pdf]] </br>
decrypt your data diligent as a pillaging Vikingur. </br>
Bluetooth Harald with the pike in her, </br>
lighting herds. Sudanese Chief Tik-Tok'ing </br>
the genocide, "We need more lights in here!" </br>
Baby mothers hang from spears, </br>
and you're closing your ears?
> [[Table of Contents]] sound.ambient.gospeltwo.url: "https://churchofrot.neocities.org/references/mp3s/Book%20of%20Gospels/Blast-Off!.mp3"
sound.ambient.gospeltwo.description: "Book of Gospels, Entry II, Oto-San!"
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<b> II. D Recollects on Thiel Before the Accident </b>
[continue]
Eons ago, I wove him a wreath of thorns, </br>
placed it upon him. Tore a hole in his column, </br>
spine leaking, quit speaking to me then. </br>
Saw him in the news, hole filled with </br>
cybernetic yarn now, carved out. </br>
Doc Ock in the compound preaching Death </br>
to the weak and Sun-bound. </br>
Bum down! Two shots to the neck, </br>
done now. At his wake, </br>
his mother wouldn't speak, </br>
ain't broke down just clearly tweakin'. </br>
Trailer park beneath the sleet, sins </br>
wreaked between the squeaky links. </br>
Caught him wrangling iron. Poor foreshadowing. </br>
Bruce rattling banners his son will never wave. </br>
I broke into a gallop, tripped, and </br>
hobbled to my grave. Slow him down, </br>
that lightning they a menace on the lathe. </br>
The way they carve it out will leave </br>
the cut an open grave.
Beat you like a star, whipping out Orion's Belt. </br>
Lenin-aligned linen liners. </br>
A fine diner standing up for Vine. </br>
Blue linings; Fence-sitting cops </br>
invent pensions, missing. </br>
Liquor drink fencing, quick expenses, </br>
pray away the gay in forum mentions, </br>
mixed intentions. </br>
Gagged gator graves, now or later slaves. </br>
Layaway parades bound to paper. </br>
I'll see you later.
> [[Table of Contents]] sound.ambient.gospelthree.url: "https://churchofrot.neocities.org/references/mp3s/Book%20of%20Gospels/Queen%20Lot.mp3"
sound.ambient.gospelthree.description: "Book of Gospels, Entry III, Queen Lot"
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***III. Queen Lot***
[continue]
Shots in the night sound like the [[Weathermen->https://www.youtube.com/watch?v=CkV4mCCdOBo&list=RDCkV4mCCdOBo&start_radio=1]] </br>
Jalopy Shellstrop salesman, Cheshire smile, </br>
[[Kristen Bell with the weathered grin]]. </br>
Ran for miles just to end up </br>
where the [[Veteran's been->Where has the Veteran been?]]: tethered in, </br>
boxed up. Fedexed from Akihabara</br>
[[Nation First->https://www.bbc.com/news/articles/cly80nnjnv5o]]. For vagrants? Worse, </br>
compounds, involuntary;</br>
they'll work you to your grave. [[Utah->https://www.sltrib.com/news/2026/01/12/utah-state-rep-angela-romero-calls/]], </br>
an involuntary volunteer is a voluntary slave. </br>
Rake your profits higher than a Tesla at a rave. </br>
Bet you ain't brave. [[Let him in->https://www.sltrib.com/news/2026/01/12/utah-state-rep-angela-romero-calls/]].</br>
Daddy tell him to, I bet you </br>
he'll be wrapping you in your Letterman.</br>
Brethren? No, more a horde of <i>will he's</i>. </br>
Pill me, bill me for the carnage cuz, </br>
God willing, I'll burn in peace. </br>
A villain, a burden? Please. </br>
You purging me? I'll pump them full </br>
of buckshot like virgin beef. [[(1)->https://illuminatedpaths.bandcamp.com/album/intifada]]. </br>
Double park your hearse and leave. </br>
Bitch.
> [[Table of Contents]] sound.ambient.gospelfour.url: "https://churchofrot.neocities.org/references/mp3s/Book%20of%20Gospels/Head%20Lost%20Outside%20the%20Temple%20of%20Time.mp3"
sound.ambient.gospelfour.description: "Book of Gospels, Entry IV, Head Lost!"
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***IV.***
[continue]
A displaced protest about Capitalist exploitation. </br>
I wrote it off as poor vocation selection.</br>
Press select to restart. You've clearly</br>
forgotten the cart. Twelve hands </br>
shackled outside of Whiterun, "That </br>
Snipe run, you shoot him!"</br>
Anti-Semites cheering at the usual.</br>
Whites out paper collecting, </br>
neglecting change while the flames rise.</br>
Honey told the man my name is still my name</br>
like he could change sides. Told her</br>
a Zionist is a cane, so step.</br>
I wrote him off, but she's still expecting pep.</br>
Guilt leaves chrome stains in the sheets</br>
There's an old saying, "I'mma get mine!"</br>
Dome laying on a sheet like an old sword</br>
outside the Temple of Time, fed him</br>
the same line. Spoke to him of my own accord,</br>
"Lord, I can't take these battles, </br>
you've got the wrong door!"</br>
Trump Derangement Syndrome was just daily malaise.</br>
Got bored and dug my grave out on a hill they might not claim.</br>
Columbine and Columbo still sound the same.</br>
BLAH! BLAH! </br>
Rain.
> [[Table of Contents]] <u> Excerpt: </u>
<blockquote>
<i>The body without organs now falls back on (se rabat sin) desiring-production, attracts it, and appropriates it for its own. The organ-machines now cling to the body without organs as though it were a fencer's padded jacket, or as though these organ-machines were medals pinned onto the jersey of a wrestler who makes them jingle as he starts toward his opponent. An attraction-machine now takes the place, or may take the place, of a repulsion-machine: a miraculating-machine succeeding the paranoiac machine. But what is meant here by "succeeding"? The two coexist, rather, and black humor does not attempt to resolve contradictions, but to make it so that there are none, and never were any. The body without organs, the unproductive, the unconsumable, serves as a surface for the recording of the entire process of production of desire, so that desiring-machines seem to emanate from it in the apparent objective movement that establishes a relationship between the machines and the body without organs. The organs are regenerated, "miraculated". </i>
</blockquote>
---
Deleuze, Gilles, and Félix Guattari. Anti-Oedipus: Capitalism and Schizophrenia. Translated by Robert Hurley, Mark Seem, and Helen R. Lane, University of Minnesota Press, 1983.
Excerpt:
<i><blockquote>“I spent 33 years and four months in active military service and during that period I spent most of my time as a high class muscle man for Big Business, for Wall Street and the bankers. In short, I was a racketeer, a gangster for capitalism. I helped make Mexico and especially Tampico safe for American oil interests in 1914. I helped make Haiti and Cuba a decent place for the National City Bank boys to collect revenues in. I helped in the raping of half a dozen Central American republics for the benefit of Wall Street. I helped purify Nicaragua for the International Banking House of Brown Brothers in 1902-1912. I brought light to the Dominican Republic for the American sugar interests in 1916. I helped make Honduras right for the American fruit companies in 1903. In China in 1927 I helped see to it that Standard Oil went on its way unmolested. Looking back on it, I might have given Al Capone a few hints. The best he could do was to operate his racket in three districts. I operated on three continents.”</blockquote></i>
― Smedley D. Butler, "War Is a Racket" (1935)
<hr>
War pig has a change of heart. Read it [[here->https://churchofrot.neocities.org/img/War%20is%20a%20Racket%20-%20General%20Smedley%20D%20Butler.pdf]].
> [[Table of Contents]] {embed image: 'https://churchofrot.neocities.org/img/Kristen%20Bell%20weathered%20grin.jpg'}